OtherMusic review – April 2014:

“Yaaba Funk is currently one of Britain’s most popular Afrobeat bands, and one of the most distinctive — because while others imitate Fela Kuti’s Nigerian sound, Yaaba Funk starts with highlife, the more upbeat (and guitar-led) Ghanaian dance style, and brings in James Brown grooves, Sun Ra jazz,Parliament-Funkadelic jams, and more than a hint of mind-altering dub. Coming out of London’s multi-culti Brixton neighborhood, Yaaba Funk made its name at parties, dance clubs and festivals, mixing showmanship and social activism with a spirit of fun, recalling the 2-Tone movement of 30-some years ago and the Swinging London scene of the ’60s. ‘Yaaba Funk in concert,’ Songlines declared, ‘can be as exciting as the young Rolling Stones.’
The band’s debut album, Afrobeast, which Blues & Soul championed for its ‘majestic sound [and] infectious rhythms’, became a DJ favorite and won fans throughout the UK. Yaaba Funk’s new album (its first to be released in North America) has all the dynamic dance inducements of its predecessor, and takes them even further with a set of original compositions sung in Akan and English by two compelling lead singers, Richmond Kessie and Helen McDonald, and performed by a mighty band of guitars, keyboards (including a thumb-piano), horns galore, and a panoply of drums, shakers, bells and whistles. Everyone’s vote counts here — yours as well.”


Howard Male. Independent on Sunday review of My Vote Dey Count, 20 April 2014:

“The Brixton 10-piece’s second album packs a punch from the off with a muscular James Brown cover. Their sound centres on tense, politically motivated Afrobeat but a wide spectrum of styles is embraced along the way. “Poor Man’s Tale” is slow, ground-hugging funk, “Ghana” builds its hypnotic hold around a delicate thumb piano riff and some ethereal vocals by Helen McDonald and “Volta Blues” is just as its title suggests – a straight-down-the-line blues track. It’s great to hear a home-grown band like this reach what is analogous to an athletic peak of their powers, setting them up as equal with (yet a good deal more versatile than) more globally known Afrobeat outfits such as New York’s Antibalas. ”


Garth Cartwright. Songlines, August 2010:

“Excellent musical interplay…music never loses its focus…disciplined use of the horns
colours the groove…Yaaba Funk in concert can be as exciting as a young Rolling Stones.”


Howard Male. Independent on Sunday review of Afrobeast, May 2010:

“This London 10-piece get the whole Afrobeat/Hi-Life mix right with a loose, natural sound driven by a fluid yet intense rhythm section, bursts of on-the-nail brass, and plenty of light and shade in the vocals which are shared by Richmond Kessie and Helen Macdonald.”


Russ Jones, Hackney Globetrotter/Future World Funk:

“If there is one band I never get tired of partying with and always happy to book it is Yaaba Funk.
Super tight funky highlife, authentic and always on the up.
The London live scene is all the richer for these guys.”


Emrys Baird, Blues and Soul review of Afrobeast 2010:

“It’s choc a bloc with souped up hi-life grooves, crispy guitars, fat horns and a heavy bass that defines their majestic sound…Infectious rhythms that allows no escape…”


Click here for fRoots Review ….


DJ Edu BBC 1Xtra:

“It’s a long time since I have been so excited by a band and had high expectations…
the spirit, the dynamics, the whole concept, you HAVE to dance to that!”



Cal Jader (Movimientos) review of ‘Afrobeast’ – Jungle Drums magazine, June 2010:

“Yaaba Funk is essentially the joyous, euphoric voice of London in 2010…
some tracks shimmer like they’re just offthe streets of Accra.”



Catch a vibe review of ‘Afrobeast’ 2010:

“London band Yaaba Funk have continued the tradition of mixing and blending by
melding highlife, afrobeat and funk with the bass-heavy sounds that exemplify
much of London music to create a new offshoot……
Trying not to dance is like trying to eat gum without chewing…
Listening to their album is like bringing the party home with you.”